Showtime for Providence
The big buzz at Casa Diablo after the nationwide premiere of the NBC television
show Providence last week was, "What were those really white-looking
parents doing with all those ethnic-looking kids?" The explanation is that the
mother was of Italian heritage, even though she looked like the person you get
when you want Lauren Bacall but are working on a TV-series budget. But, hey,
despite looking seriously Anglo herself, Bacall is Jewish, so what do we
know?
The answer to that question, of course, is, "Only what John Martin tells us in
the Other Paper." Indeed, we've always had a lot of faith in Martin's TV and
radio reporting, mostly because management people at virtually every local
radio and television outlet constantly complain that he is wrong and has it in
for their particular station. This leads us to believe that 1) media people are
the biggest crybabies of all and 2) John is definitely doing something right.
Your superior correspondents chatted with the BeloJo's TV writer, along with
JAR-heads Jim Taricani and Gene Valicenti, at the big Providence premier
party at the Biltmore last Friday. (By the way, kudos to Carol Conley, Nora
Gumpel, Paul Campbell and the other folks at the Providence Film Commission for
staging this hometown event.) And, after watching the first episode of the
series, we think that Martin pretty much hit the nail on the head in his review
-- the show is not as schmaltzy as most critics would have you believe, but it
is definitely a "women's show."
Along with other hardcore Vo Dilunduhs, P&J did find plenty of flawed
attempts at local color to kvetch about, though. There was a definite gasp in
the room, for instance, when the Kyle character mispronounced Pawtucket with
the accent on PAW. While this makes some sort of aesthetic sense, considering
the wealth of cloven-hoofed inhabitants in the town that Brian Sarault couldn't
stop, it's still a linguistic no-no.
And, of course, your superior correspondents were also deeply disappointed
when the two-guys-in-the-shower scene was abruptly terminated to return to the
action back home. We were hoping that they'd stay with these obviously superior
actors for a while rather than feature the world's fastest at-home birth in
Providence. We wonder whether the rest of the country now believes that all
wealthy East Siders have babies at home -- babies that emerge from the womb
fully six months old.
Such tiny inconsistencies, however, were overwhelmed by more profound local
touches. While early scenes of the Providence skyline and the East Side were
heartily applauded by the Biltmore crowd, there was also a huge response when
Providence actor Richard Donelly, playing a local cabdriver, told the lead
character what a great job the mayor had done fixing up downtown. Was the Bud-I
consulting on the script, or what?
Of course, the mayor was in his glory, emceeing the event and then, after the
screening, waltzing around the room Vegas-style, microphone in hand, and
eliciting testimonials to the show from the audience. Hizzoner also
thoughtfully presented a video clip from a future show featuring (surprise!)
the Bud-I himself in a scene in which the Mayor's Own Marinara sauce wins a
cooking contest. This was, inadvertently, the most true-to-life Providence
moment of the evening -- a rigged cooking contest.
Union busters
Anyone who doesn't believe that Women & Infants' plan all along has been to
break the union must live in the fantasy world of Providence, the TV
show. Indeed, the lockout tactics, the exorbitant prices for the scab workers
being transported in, and the statements made by the hospital throughout this
drama all have been calculated to irritate the union, in hopes of spurring the
picketers on to more unfortunate melees like the one that took place on
December 29. Seems like now that the locked-out workers will get unemployment
compensation, the hospital administration's only option is to try and paint the
union as the bad guys.
There's also the issue of an advertisement that the union tried to place in
the BeloJo. It never ran because the paper demanded unacceptable changes to it.
Gee, wonder if they ever demand alterations to those Red Alert ads paid for by
that old union-buster himself, John Hazen White.
Turning a blind eye
Hats off once again to Governor Bigfoot for his wonderful sensitivity to race
relations. Phillipe and Jorge are referring to the kind treatment a reporter
and intern from the BeloJo received at the Missing Linc's inauguration last
week at the Providence Convention Center.
According to an appalling and dismaying account in the BeloJo by Karen Davis,
a reporter who was off-duty at the time, she and intern Alisha Pina were
accosted by Rhode Island National Guard members working as security at the
event. The pair were then accused of being protesters and were shadowed by the
paranoiacs on the security force throughout the inaugural ceremonies. Needless
to say, not one of the many white males in suits in attendance were afforded
such concerned treatment.
At a seminar on cultural diversity the following weekend, Reginald
Centracchio, adjutant general of the state National Guard, described Davis's
reaction as a "perceived insult." But in speaking with Davis after the
incident, she said the problem was essentially the same: the eyes of minorities
very often see insults (without the softening and guilt-avoiding modifier
"perceived" attached) to which white folks are blind. And when there are no
African-American or Latino eyes to review that kind of behavior, the problems
will continue.
At the BeloJo, editor Tom Heslin was the hero for getting Davis's story into
print, while Karen claims that she also received support from many other
reporters and editors at Fountain Street who read her column. Governor Almond,
on the other hand, failed to offer even a modest apology to Davis, although
many other community leaders contacted her, from state Senator Charles Walton
and the NAACP's Cliff Monteiro to Steve "Bad Hair" Brown of the ACLU. Instead,
Bigfoot's office told her to take it up with the National Guard, a no-win
pissing match if there ever was one.
Perhaps Bigfoot should be reminded at whose party Davis received such shabby
and insulting treatment. Hey, maybe he should even do something to prevent this
type of incident from happening again and deign to say that he's sorry. Mr.
Sensitivity strikes again.
The low moral ground
Speaking of race relations, kudos and congrats to New York Times
columnist Bob Herbert for his January 10 piece, "The Real Disgrace." Herbert
picked up on the front-page, dog-and-pony act of US Senator Strom Thurmond, the
96-year-old segregationist of Tang-colored hair, swearing in former drug addict
Supreme Court Chief Justice William Rehnquist, the erstwhile fashion designer.
(Yes, Sandy O'Connors's ex-boyfriend came up with those cute little gold
chevrons on his robe all by himself.) Most news photos revealed Rehnquist, once
in the thrall of pain pills, looming over Thurmond and looking like he was
about to smack him upside the head.
While P&J are no great fans of President Billary or his Oval Office
behavior, we don't think he deserves the likes of these two. As Herbert reminds
us, Thurmond was a virulent racist in his time who filibustered against the
Civil rights Act of 1964, while Rehnquist, as a law clerk during the time of
Brown vs. the Board of Education, wrote memos supporting segregation and once
owned houses with deeds prohibiting their sale to a "Hebrew" or anyone "not of
the white or Caucasian race." If these are indeed the guardians of truth,
justice and the American way, then your superior correspondents say, "B.J.s all
around!"
Thanks for reminding us
A tip of the beret and sombrero to Sports Illustrated media columnist
Steve Rushin for remembering a great moment in Providence lore in his column
last week. In his piece on obscenities on the air, Rushin recalled the magic
moment 18 years ago when P&J's good friend, Charles Rocket, let slip the
"f-word" at the end of Saturday Night Live, which resulted in his
dismissal toot sweet.
Longtime ProHo denizens will recall Rocket in a previous incarnation as
Charlie Claverie, a member of the local band the Fabulous Motels (a precursor
of the Young Adults); a bartender at the late, lamented Leo's; and a Channel 12
anchorman (despite the fact that he claimed to have read only one book in his
life, which is about par for the course for today's TV anchors). Charlie then
took his new name and act on the road to New York and Hollywood, where he
continues to pop up on TV and in movies.