Glazed, baby
Fauna in the sauna
by Michael Caito
Here are several more new releases and demos, blistering and clammy, for your
playback pleasure. The Nightswimming web site has been chillin' on an
anonymous server, poised for activation, so please -- always include a phone
number on releases sent for review because we will not ever post sampled
audio clips online without the artists' green light. Photos/cover art should
also include credits if they're desired. In a similar vein, bands can now send
releases to columnist Matt Obert, reviewing again for the newly renamed
Free Times (formerly Good Times) based in Kent County. Welcome
back, Matt. Thank goodness.
Johnny West:Imaginary Driver (Four-song cassette)
Flashback: haunting acoustic twin-bill at Babyhead with Vic Chesnutt opening
for Bob Mould. Imagining what would happen if Chesnutt's twangy, idiosyncratic
songs were meshed with Mould's unswerving intensity and gloom. Wow. That would
be fine.
That may be at least a spiritual goal of Johnny West, formerly known as the
Pants. The brothers Garfinkel -- Paul and Todd -- plus ex-Halo Bit bassist
Dickey Wright certainly have created lush grooves and textures on this demo,
produced by Vehicle guitarist/singer Dave Stem. (Vehicle drummer Pedro is
temporarily drumming for JW as well.) Paul Garfinkel's semi-sung vocals speak
of world-weariness, and though he's not as convincing in that slower,
countrified vein as, say, Pip from the mighty Delta Clutch (recording an LP
this summer for an autumn releaseon Blackberry Records), his wistful tales
still hold water. In this string-heavy mix Garfinkel, having just finished his
Masters in 19th-century Italian criminology (?!), sounds overwhelmed by the
strummery. They could just as easily make do with one less guitar overdub, but
the foundation -- the songs -- is A-OK. Noteworthy re-entrance.
Mr. Slugg:(4-song cassette)
Mr. Slugg has not yet left the blasted landscape trod upon by Nick Cave and
Trent Reznor. Cheers to him for sticking with his nightmarish, Goth-tinged
roots, abetted here by the reappearance of long-lost cohort Chicken Chuck. If
Brian (aka Mr. Slugg) is ever loosed in a studio with the EBN guys we'll have
the sonic equivalent of 10-inch nails driven soul-deep. For now, Mr.
Slugg is determined to keep the lost faith, solo if necessary, driving ominous,
self-made 4-track observations like "You look so good in gasoline" directly
through our skulls. Can't figure out why or how this still works, but it
does.
DEREK PROSPER
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Derick Prosper (aka Mastermind): "Waited All My Life" b/w "Hip
Hop Heads" (Brainchild Entertainment)
Rapper/poet/producer Prosper follows last year's The Adventures of
Mastermind with a harder edge, polishing the menace, brooking no idiocy and
delivering on his new maxi. The three versions of each track is standard
set-up: one each for commercial radio, one each for instrumental, while the
A-side has the swearing left in for mix tapes and B-side has a version of a
cappella snippets. The Providence poet remains true to his art, and we hear
another unflinching, detail-rich moment of his life. The occasional preachiness
of Adventures of is replaced here by a more effective surveying of the
aftermath, especially on "Hip Hop Heads." As attitude goes, Adventures
ofcould be paraphrased as saying "Don't be stupid; don't do this," while
"Hip Hop Heads" cooly describes inevitable carnage native to a gangster
lifestyle. "Waited All My Life" showcases a true player's confidence, borne of
reaping the rewards of hard work, not thuggery. It also happens to be very
funny. Think he can't run with De La and Jeru? Think again. Listen again. When
was the last time you heard any rapper rhyme "cypher?" If this is in fact the
level of area talent Prosper championed during a recent interview, it won't be
long before the rest of Providence -- plus Newport and Pawtucket -- finally
check in with their own self-styled beats. We can hope, then, that Mastermind's
new vinyl is a harbinger. This fall, the pass-the-mic sessions at the space on
Washington Street (same building as the Black Repertory Theatre and the old
NewPaper) will hopefully kick in again, providing a testing ground/
trial by fire for MCs who think they can hang. On Brainchild's newest, Prosper
certainly gives young rappers, DJs and producers a level of excellence to try
to match. For the Mastermind, as usual: it's on so don't sleep.
Blueshift Signal:The Waterside EP (Ethereal/Twighlight Time
4-song CD)
Watersideis an exquisite offering from the trio featuring Ron Kuba
(g,v), Jay Bouchard (b) and drummer/percussionist John Orsi. Though in the
opening "Aegean" a Stone Roses pop influence distracts, the overall is buoyant
and the playing extremely tasteful. After a few months, this EP earned its own
listening-room nickname:the "Stress Dissolver." Roughly shoved near a niche, it
would shoehorn 'twixt psychedelia, New Age and maybe the soundtrack to an early
'90s 4AD compilation. By themselves, the shimmery, synthesized effects which
Kuba wrings from his guitar would be worth it. Having a veteran like Orsi along
shooting percussive sparks makes this one delicious.
Hallucinating Arkansas (4-song CD)
Power-pop evolving from Taunton's excellent Blair's Carriage, Hallucinating Arkansas
cover personally exalted ground similar to that of the Figgs and
Mercury Quartet: melodic, full o' hooks, dangerous to drive to. They can write
and sing, and Scott Riebling's production hones this trio's already keen sense
of dynamics. Buffalo Tom?Yeah, them too, I suppose. We want more.
SHOW BIS: Scotland's bis were snatched up by
Beastie Boy Mike D. for Grand Royal after a short sharp bidding frenzy. Bikini
Kill's revered front-grrrl Kathleen Hanna and the one-and-only Poly Styrene are
admitted heroines of Kenickie frontwoman Manda Rin. bis were tempted
from Glasgow, Kenickie from Convent school in Sunderland. Well, except for
Johnny X, who does a good deal of their songwriting. Between them, they've
released two of the brattiest, goofiest, most exuberant discs of the year in
bis' The New Transistor Heroes (Grand Royal) and Kenickie's At the
Club (Emidisc/Warner). Forget the Headcoats, hipsters: this is the sh**.
Kenickie justly relegate the Bangles to Barbie Doll status, and bis's
shout-along agit-Brit-brat-pop has the kids swinging out in the UK. Both CDs
are so full of life and energy it's enough to make me throw out all my Pearl
Jam records except I've never owned any. At the Call on Saturday at 6. (This
just in: Kenickie have cancelled their US tour, so they won't be along for the
ride. But get the CD anyway.)
Metrified:Tues./Wed./Thurs. is the streak at the Met Café: Purple
Ivy Shadows appear with Tuscadero and Starry Eyes Tuesday;
New Radiant Storm King and Rebuilt Hangar Theory hit the next
night; and the Muffs appear on Thursday. This Friday it's Mark Cutler
&Useful Things with Dopey Lopes opening, featuring Freddy Abong
on drums. Also on Friday, ace rockabilly with Racketeers at the Green
Room. On Sunday at the Call there will be a big AS220 bash featuring V
Majestic (have you tasted their fine new disc yet?), Ether, the
Eyesores, Joe Auger, His Panic Band and many more. All to
celebrate a new record label for the Space, which re-opens August 1.