Skull session
Mel Ash talks about life after Zen and finding out "Who am I?"
by Bill Rodriguez
Mel Ash says that cops used to stop him for looking like a
junkie when he lived on Smith Hill. Now, recently moved to the East Side, he says they probably think he looks like a Brown prof
-- scraggly beard, torn jeans. Ah, life is change. Or all fluxed up. Depending
on your perspective.
Ash's new book, Shaving the Inside of Your Skull, encompasses both
perspectives as it applies insights he gleaned from the 12-step program of
Alcoholics Anonymous and the Buddhism of Kwan Um School Zen. He's hoping it
will be as successful as his The Zen of Recovery, which after three
years is in its 10th printing. Come September, another self-help book, Beat
Spirit, will come out. His agent is now marketing his first novel,
Zaddik, which is about Jewish mysticism and the end of the world. Ash
has given workshops around the country on his amalgam of Zen insights and
12-step techniques.
Come Wednesday, March 26 at 7 p.m., he will give a reading and book signing at
Borders Book Shop in Cranston.
The art director of the Providence Phoenix's pre-risen incarnation, the
NewPaper, he struggled through periods of drug and alcohol abuse until
14 years ago. Then Ash went to live at the Providence Zen Center for three
years where, as a resident, he was authorized to teach meditation. He grew
disenchanted with the regimentation there, and they in turn disapproved of his
book on Zen.
In his new apartment near Wayland Square, where he lives with his wife Sarah
Owens-Ash, a Boston DJ, he chatted amidst the clutter of unpacking. Here are
some excerpts.
Q: The hardest habits to break are belief systems reinforced over a
lifetime. What have been the most important changes in your beliefs, and how
did you manage to change them?
A: Probably the belief that I couldn't be successful. My background to
this is as a graphic artist, that was my training. Writing as well. And it
wasn't until I was about 38 or 39 that I became who I really am. That's the
last chapter in the book. And I did that through despair, reached a real
bottom. The Zen practice had a lot to do with reaching the bottom. I was
utterly transformed by it and I wrote the first book. At 39 I became a writer.
At that age most men in this culture are shutting down, looking to retirement.
So that just shocked the hell out of me.
The koan "Who am I? Who am I?" was a kind of deconstruction of self during
meditation, taking away parents, taking away culture, taking away gender,
taking away all this stuff. "Who am I?"
It wasn't a mystical, psychedelic thing, but I just emerged the next day as a
writer. I hadn't written since high school and now I can't stop writing. So I
know that change is possible, that transformation is possible, and that's what
I try to write about. And the little [exercises] in the book that I suggest are
things that I've actually done, and I know they work.
Q: So what was the reaction to The Zen of Recovery? Did the
response of readers prompt you to do this book?
A: No. Because by the time I was done with Zen of Recovery I was
done with Zen. I wrote my way out of it, as it were. I wrote my way out of
prison, out of that belief system. And I was fairly done with recovery, too.
I'm still not drinking and not drinking and not drugging, but I was done being
so thrilled with that as well, the ideology of recovery just became another
ideology to me. So I emerged after The Zen of Recovery as pretty much a
spiritual anarchist. I mean, if you don't go to meetings you're supposed to
drink, you're going to drink. So I'm a heretic in a lot of ways with that too.
So what I found myself doing was going into an ideology, like Zen or AA,
assimilating it and coming out the other end.
Q: What's your take on the spiritual materialism dimension of the
appeal for spiritual self-help books?
A: Beat Spirit will be my last one, I hope. It'll be [in book
stores] under "popular culture," because I think "spirituality" has become
cheapened. It's used to sell things now. People think they can buy it in a
book. It's the biggest selling category and it's just going to get more
hysterical as the year 2000 approaches. I just heard John Gray is going to do a
one-man show on Broadway the Men Are From Mars [Women Are From Venus]
guy. These New Age psychobabble gurus have become like rock stars from the
'60s.
Q: But you're cashing in on that same appeal of people.
Chump change! (laughs) Deepak's cashing in. [William] Burroughs says
he's tried to write a best seller. He's not against selling out, but it's not
in him. I've tried to write a Deepak Chopra, I can't do it. I don't believe in
soul. I believe you might not ever be happy. Life might just be fucked for you.
It is what it is. And people really don't want to hear that. Even Skull,
I try to sugar-coat it in some ways, I suppose.
The Zen message can be a fairly bleak one: This is it, get used to it. Find
every joy you can, or if you feeling pain then feel the pain. Because, like I
said, that pain transforms you.
Q: One of the insidious thing s about the post-'70s I'm-OK-you're-OK
self-acceptance is that you and I may be real assholes. How does your book
discourage people from reinforcing bad habits as they discover themselves?
A: I'm getting used to this question. First of all, the assholes
probably won't buy the book. And again and again in the book, a lot of these
exercises are caring for others, being part of a group. Together-action, the
Great Vow: save all beings from suffering. I think that's kind of woven
throughout this book.
We get into sort of Oliver Stone, John Grisham territory: did Natural Born
Killers cause people to commit murder? Will my book cause people to become
better assholes? There is a warning in the book, a disclaimer: you are not to
believe anything in the book.
For a review of Skull