CHANGING LANES
Wall Street lawyer Gavin Banek does more selfish things in one day than most of
us do in two. He cheats on his wife, defends his firm's greedy takeover of a
children's charity, and leaves the scene of a car accident -- and that's just
before lunch. But he's played by Ben Affleck, so we want him to redeem himself.
Which is why we're relieved that the guy he crashes his Mercedes into is Doyle
Gipson, a down-on-his-luck but decent black man (Samuel L. Jackson). When it
comes to big-budget Hollywood, there's nothing that can save the soul of a rich
white man like the plight of a struggling black guy. Gavin would never have
thought twice about Doyle were it not for an important file he unwittingly gave
him after the accident. Doyle won't return the folder -- the accident made him
miss an important custody meeting with his estranged wife -- so Gavin, before
finding moral clarity, tries to ruin his life in creative ways.
As an action-packed drama, Changing Lanes isn't unexciting, and give
director Roger Michell (Notting Hill) and screenwriter Chap Taylor
credit for allowing Doyle some complexity (he's much more interesting than
Gavin). But as a film purporting to be about the Big Questions -- doing the
right thing, taking responsibility for one's actions -- it's heavy-handed. When
Affleck starts talking in metaphors toward the end, you don't want to change
lanes -- you want to change theaters. At the Apple Valley, Entertainment,
Flagship, Holiday, Hoyts, Showcase, and Tri-Boro cinemas.
Issue Date: April 12 - 18, 2002
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