DRAGONFLY
It must mean something -- three films in a month starring fading leading men in
generic thrillers about grief. Then again, it might just be bad luck. Actually,
The Mothman Prophecies far exceeded its slim expectations, and
Collateral Damage wasn't as bad as it could have been. Which leaves
Dragonfly the undisputed loser in the bunch.
At first it seems like a reprise of Mothman, with Dr. Joe Darrow (Kevin
Costner) bereft by the death of his do-gooder wife in a bus plunge in
Venezuela. He's haunted by images of a wavy, cross-like figure (he aptly
describes it as "a crucifix made of Jello") drawn by juvenile patients with
near-death experiences who claim that they have seen his wife and that she
wants him to "go there." Maybe they're referring to retirement, since Costner's
performance here suggests that his acting high point might have been as the
dead man in The Big Chill. Unlike Gere in Mothman, he hasn't the
range to express deep grief, let alone potential lunacy, and unlike
Schwarzenegger in Damage, he has just enough affect to be distracting. Director
Tom Shadyac (Ace Ventura: Pet Detective) makes the transition from
gross-out comedy to "serious" filmmaking with the maximum of schmaltz, proving
once again that sentimentality is just the flipside of scatology, and sometimes
funnier. At the Entertainment, Hoyts Providence 16, Opera House, and
Showcase cinemas.
Issue Date: February 22 - 28, 2002
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