Music Features
Crank that, techie: Cool jerks
In the summer of 2006, DeAndre Way, then 16, combated summer boredom in Batesville, Mississippi, by writing songs with Fruity Loops digital-audio software.
By: CAITLIN E. CURRAN
Sweet harmony, sweet irony: Sox in dirty water
The Red Sox’ victory song, the Standells’ “Dirty Water,” is “a song about a guy who got mugged.”
By: MIKE MILIARD
How it's done: Jonathan McPhee and the Longwood Symphony perform Beethoven's Ninth
The problem with the Ninth is that it gets played like a monument.
By: JEFFREY GANTZ
Three in two: Dominique, Musillami, and Sco
The Red Sox were playing the first game of their ALDS with the Angels, but Dominique Eade had a nearly full house.
By: JON GARELICK
Desert session: Josh Homme’s lullabies of love
For nearly two decades, Josh Homme has had countless irons in the rock-and-roll fire.
By: WILL SPITZ
Three of a kind: Deborah Harry, Annie Lennox, and Siouxsie Sioux
Deborah Harry admitted that there was no method to the madness involved in making her new solo album, Necessary Evil.
By: MIKAEL WOOD
The screaming life: The Cross-Pollenization Festival
Experimental music occupies a space on the margins, at the outer limits of established genres.
By: SUSANNA BOLLE
Britt pop: The spare magic of Spoon
It’s like the Anti–Wall of Sound.
By: WILL SPITZ
Opening nightmare: Good playing, bad karma at the BSO gala
It wasn’t as bad as what happened at Opening Night at the Pops last May, but it was still awful.
By: LLOYD SCHWARTZ
Rocker moms: HRT come straight outta Sharon
In Sharon, there’s one garage that’s been a breeding ground for a very different kind of band.
By: STEVEN LEE BEEBER
Mais oui!: Opening Night at the BSO
“Ici on parle français” was the watchword at the BSO’s 2007 “Opening Night at Symphony” last evening.
By: JEFFREY GANTZ
Monster man: Massachusetts dot-commie spotted torching the decks at Burning Man
Burning Man: 50,000 lunatics celebrating inarticulable notions of radical self-expression and all-purpose debauchery in Salvador Dali-esque splendor.
By: MIKE MCKAY
Thanks for nothing, Thom: Radiohead rant
Thanks for deciding to fuck the music industry in all three holes by giving away your new album, In Rainbows, for free on the Internet.
By: CARLY CARIOLI
Do you believe in Magic?: Bruce Springsteen returns to the E Street Band
On Magic (Columbia), Bruce Springsteen’s first album with the E Street Band in five years, not everything is what it seems.
By: JEFF TAMARKIN
Born again: The return of Scarce
When fondly remembered bands get back together, they usually say they’re just playing a couple of shows and not thinking about the future.
By: BRETT MILANO
Political beats: Filastine’s activist groove
Don’t let the name fool you: producer/DJ Grey Filastine is a sophisticated and well-heeled sonic traveler.
By: SUSANNA BOLLE
High volume: Japan’s Suishou No Fune keep it loud
As Suishou No Fune took the small stage at P.A.’s Lounge a week ago Tuesday, all the high-voltage warning signs were there.
By: SUSANNA BOLLE
Night work: Thurston Moore, Eddie Vedder, and Kevin Drew go solo
Thurston Moore, Eddie Vedder, and Kevin Drew don’t play in the kind of rock bands that privilege streamlined sonics over the expression of individual creative wills.
By: MIKAEL WOOD
Bands of Gypsy: Gogol Bordello and Balkan Beat Box
The explosion of neo-Gypsy-hybrid music started, you might say, with a cleverly worded flyer spied years ago by Eugene Hütz.
By: FRANKLIN SOULTS
Retro-futurama: Freezepop just wanna rock
In the hands of almost any band, “Just give us more rock” would be, at best, a wry throw-away, at worst a lazy cliché.
By: MATT ASHARE
Irish sprung: Fionn Regan makes his way to America
Irish singer-songwriter Fionn Regan answers straightforward questions with beguiling sidesteps.
By: WERNER TRIESCHMANN
Flying high: Kurt Weill in Stow; Ziegler and Lima sing Mahler
Cantata Singers director David Hoose must feel that Weill’s music is more timely than ever.
By: LLOYD SCHWARTZ
Slideshow: Austin City Limits 2007: Bjork, M.I.A., Regina Spektor, and more
By: CARINA MASTRACOLA
Holding steady: Craig Finn returns to BC
When you think about it, the Hold Steady are the perfect Boston band.
By: MIKE MILIARD
The benefits of stage fright: Tulsa find their inner noise
Like Tanton’s opposing halves, Tulsa’s music is marked by a sort of push-pull between melody and dissonance, concision and unhinged sonic exploration.
By: WILL SPITZ
Shop talk: Ryan Walsh interviews Will Sheff about Okkervil River
Will Sheff is a songwriter’s songwriter.
By: RYAN WALSH
Outer limits: The return of Apples in Stereo
Sooner or later, most of us come to need at least some support in the mental world as well as the physical.
By: FRANKLIN SOULTS
Holy spirit of the saxophone: The John Coltrane Memorial Concert and Ben Ratliff’s Coltrane: The Story of a Sound
John Coltrane died 40 years ago this past July at the age of 40 of liver cancer.
By: JON GARELICK
Luciano Pavarotti, 1935–2007: Generic for tenor
Luciano Pavarotti was so famous, so beloved, he became the first classical musician since 1940s violinist Jascha Heifetz to have his name become generic.
By: LLOYD SCHWARTZ
War of the words: 50 Cent versus Kanye West
50 Cent has a long history of initiating beefs before he releases a new album.
By: RICHARD BECK
Taking charge: Shepherdess puts Hilken Mancini in the lead
If Hilken Mancini’s ego were bigger, her new album would be billed as the career breakthrough.
By: BRETT MILANO
Basstown nights: The new scene emerges; Halloween preparations
If 2006 was the year Boston germinated, 2007 is the year it grows up.
By: DAVID DAY
Bounty: The best of the season’s roots, world, folk, and blues
It’s payback time for Boston’s blues and roots music scene.
By: TED DROZDOWSKI
World music: The BSO goes traveling, and Berlin comes to Boston
There’s more to Boston’s classical music scene than the Boston Symphony Orchestra.
By: LLOYD SCHWARTZ
Trane, Joyce Dee Dee, Sco, and more: A jam-packed season of jazz
The official kickoff to the season begins with the week of activities celebrating the 30th anniversary of the John Coltrane Memorial Concert.
By: JON GARELICK
Singles scene: Local bands dig in with digital
It’s old news: this series of tubes they call the Internet has revolutionized the way music is distributed.
By: WILL SPITZ
Happy endings: Bad news begets good tunes
The end is nigh! And I’m not talking about the mortgage market.
By: MATT ASHARE
Quirk-pop?: The Aliens and Mystery Jets
The Beta Band never really made an album you could listen to from beginning to end.
By: MIKAEL WOOD
The best of times: More than a decade into their career, Dropkick Murphys accept success — and pay tribute to the people and the city who helped them earn it
On Boston Harbor’s Long Island, two miles out in Quincy Bay, the Curley Building stands hulking and decrepit.
By: MIKE MILIARD
The Finnish line: Circle bring their metal and minimalism to the US
With the Finnish band Circle, you learn to expect the unexpected.
By: SUSANNA BOLLE
Cooking with Joe: Aerosmith’s lead guitarist has grill, will travel
Some rock stars travel with personal chefs. Joe Perry brings a grill — a Weber.
By: MATT ASHARE
Culture clash: M.I.A. confronts American pop protocol
If there were two golden rules worth following for this reviewer gig, they’d be never conflate an artist’s backstory with her product, and never read other people’s reviews.
By: NICK SYLVESTER
Only connect: Remembering Herb Pomeroy
Maybe there have been better musicians in Boston than Herb Pomeroy — maybe — but no musician has been more loved.
By: JON GARELICK
Hollywood hit: Grace Potter makes a major-label smash
Grace Potter is going to be a star.
By: TED DROZDOWSKI
Punks find their inner Americana: The altered aesthetic of punks playing folk
Punk might have been swept along, cleaned up, dirtied again, then separated into a million different subgenres created to simplify things when really it only complicated everything.
By: JON MEYER
The dark side of the rainbow: The new medium of the YouTube mash-up
Does the simple fusion of audio to video count as high-quality entertainment?
By: NICK SYLVESTER
Is it in the stars?: The rise of Casey Crescenzo’s the Dear Hunter
When Casey Crescenzo, frontman of the Dear Hunter, was a kid, he gave Nirvana a shot. It didn’t take.
By: MATT ASHARE
Gabel, Gabel, hey!: Against Me!’s new wave of political punk
New Wave’s opening title track makes as much of its referential moniker as the Clash did of the phrase “London Calling.”
By: FRANKLIN SOULTS
Punk folk?: Bread and Roses do the regular-joe thing
What comes to mind when you think of roots music? Neatly trimmed facial hair?
By: IAN SANDS
Pet Projekt: Gerard Way talks about the Projekt Revolution tour
What Gerard Way, lead singer of My Chemical Romance, had to say about the upcoming rock/hip-hop tour, pyrotechnics, and anti-ambition.
By: ELLEE DEAN
Innocents abroad?: The BSO prepares to go on tour
Great symphony orchestras don’t just play at home.
By: JEFFREY GANTZ
Owning it: Matt Sharp learns to take the Rentals seriously
When Matt Sharp reassembled the Rentals last year after a half-decade hiatus, he didn’t do it out desperation.
By: MIKAEL WOOD
Three for the road: Herbie Hancock, Renee Rosnes, and Luciana Souza
Maybe it’s Larry Klein’s world and the rest of us just live in it.
By: JON GARELICK
Pop secrets: The New Pornographers explore the quiet zone
This confounding of rock orthodoxy simply happened.
By: SCOTT FRAMPTON
House at home: Jon Viera’s local Escuro label
If you’re a producer of house music and you’re looking for a label, you might well submit your tracks to Escuro Records.
By: MICHAEL FREEDBERG
Birds of a feather: The jazz flocks gather at Newport
What continues to make the JVC Jazz Festival at Newport so vital these days isn’t just the variety but the depth of the variety.
By: JON GARELICK
Working girls: Northern State keep their raps real
Northern State’s YouTube video for “Better Already” is a thing of low-budget beauty.
By: IAN SANDS
Yin Yang: Rhino resurrects the Doors’ Live in Boston 1970
They wanted to see his cock. But as shit-faced drunk as he was, Jim Morrison had learned his lesson.
By: JEFF TAMARKIN
Magic numbers: The mysterious allure of 27
“I like that Stone Roses song,” one of them noted. “You know the one I mean — ‘I Wanna Be a Door.’ ”
By: BRETT MILANO
Career opportunities: Boys Like Girls
Martin Johnson isn’t quite sure where he is.
By: MATT ASHARE
Fabulous fakes: Charmed by the Traveling Wilburys
If “The Basement Tapes” had been conceived for the Top 40, it might have sounded much like the Traveling Wilburys.
By: CHARLES TAYLOR
Village folk: Suzanne Vega gets into the sounds of the city
Suzanne Vega’s Beauty and Crime is a sleek collection of New York City stories, all pop-song trim, but bubbling with an undercurrent of experimentation.
By: TED DROZDOWSKI
Explicitly yours: R. Kelly after the sex jokes
The easiest way out with R. Kelly — as with Bill Clinton or Paris Hilton — is sex jokes.
By: RICHARD BECK
Endless rhapsody: How Queen trumped the punks
If Queen had not existed, it would by no means have been necessary to invent them.
By: JAMES PARKER
Basic black: Bobby Rush digs his roots
Bluesman Bobby Rush is notorious for stage shows full of double entendres and hoochie dancers that have made him king of the chitlin circuit.
By: TED DROZDOWSKI
Three for all: The contradictory catchiness of Three
The music is equally adept at provoking headbangs, lighter flicks, or slightly arthritic hippie wiggles.
By: BEN RICHARDSON
Planetary rock: The celestial sounds of the Receiving End of Sirens
In 1619, Johannes Kepler — the famous astronomer dude — published his Harmonices Mundi, or “Harmony of the Worlds.”
By: MATT ASHARE
Anat, Elvis, and Jenny: Looking ahead to Newport Jazz and Folk, and to Jenny Scheinman
In the wake of a single solo album on her own label in 2005, Anat Cohen is suddenly everywhere.
By: JON GARELICK
They love the ’80s: Booka Shade bring the synths
“We are musicians, we are not DJs,” says Arno Kammermeier, one half of the electronic music duo Booka Shade.
By: DAVID DAY
MOMAR man: Joseph Arthur’s abstract expressions
Joseph Arthur rounds the corner of a wall displaying his artwork, squinting into the soft, perfect light of the main gallery space.
By: SCOTT FRAMPTON
Sister act: The unconventional rise of Tegan and Sara
There’s nothing conventional about Tegan and Sara.
By: MIKAEL WOOD
40 Years of the Police: Complete Police coverage for the show at Fenway Park
By: PHOENIX STAFF
Midsummer muses: Smashing Pumpkins redux and Velvet Revolver
It’s been almost 20 years since Corgan first bared his barren soul to the world and not a whole lot has changed.
By: MATT ASHARE
Hooks, harmony, and heartbreak: Squeeze and Crowded House reunite
Squeeze and Crowded House weren’t just two of the finer pop bands on the charts during the mid ’80s — they were virtually the only bands.
By: BRETT MILANO
Girl Talk: Amy Lee opens up about Evanescence
The mostly metal and male-dominated line-up has undergone a gender makeover with the addition of the Amy Lee–fronted Evanescence at the top of the bill.
By: DOMINIQUE HENDLEMAN
So wrong they're Righteous: These brothers make their own rules
Less than two years into their existence, the Self-Righteous Brothers already have a press kit worth of raves.
By: BRETT MILANO
Locally grown: The return of DJ/rupture
When Jace Clayton (a/k/a DJ /rupture) steps behind the decks at Great Scott this Saturday, it will be a homecoming of sorts.
By: SUSANNA BOLLE
Party and prayer: Andy Palacio rescues the sound of the Garifuna
For Palacio, the road from a rural Garifuna childhood to the recording studio was not an easy one.
By: BANNING EYRE
Police force: Many little things they did were magic
Along came the Police, packing cold, steely hits with flashes of heat.
By: SALLY CRAGIN
Police profile: They never were your average punks
One of these days, in a British crime movie, there will appear a gangland boss with a fetish for the Police.
By: JAMES PARKER
Loop dynamics: The ambient experiments of Area C
The warm, multi-layered drones of Area C are so lush and richly detailed, you could be forgiven for thinking they must be the work of multiple musicians.
By: SUSANNA BOLLE
Still nasty: How 2 Live Crew blew up from hip-hop comedy act to multi-platinum provocateurs
“I think a lot of our music got overshadowed by the girls,” says legendary DJ Mr. Mixx of 2 Live Crew.
By: BRIAN COLEMAN
Three nights: 5LMN2, Revelation at the Beehive, and Geni’s shakuhachi
As usual, there was too much to see in a week that included avant-gardist Burton Greene at one end of the spectrum and crossover darling Diana Krall at the other.
By: JON GARELICK
Skill ride: Pharoahe Monch’s timely return
All it took was a Godzilla sample and a simple, forceful “Simon says get the fuck up” for Pharoahe Monch to leave his mark on hip-hop history.
By: MATTHEW GASTEIER
Post-punk pantheon: Daydream Nation tops our list of 10 landmark albums that made indie rock
They were, by definition, misfits.
By: PHOENIX STAFF
Present tensions: Battles look to the future, not the past
If it weren’t for the Middle East — the Cambridge club, not the region — NYC’s latest musical cause célèbre might not exist.
By: WILL SPITZ
De-colonized: Francophone acts bring it home on Bastille Day
For the 32nd consecutive summer, the French Library’s Bastille Day Street Dance promises to be a world-music highlight.
By: BANNING EYRE
The rites of Robby: Roadsteamer’s new message of unity
“At first he was a douchebag,” says Roadsteamer (a/k/a Rob Potylo) of the character he created.
By: MIKE MILIARD
Devilution: Glenn Danzig reveals his Lost Tracks
There’s an interesting moment in the new memoir by former Korn guitarist Brian “Head” Welch, when the author finds himself on tour with Danzig and Marilyn Manson.
By: JAMES PARKER
Tween troubles: Kelly Clarkson’s fall from grace
Poor Kelly Clarkson.
By: SHARON STEEL
Junior miss: Malin’s third solo CD goes over the top
Former glam-rocker Jesse Malin’s 2003 solo debut not only offered proof that he could make it as a singer-songwriter — it was the best thing he’d put out.
By: IAN SANDS
Double or nothing: Mark Morris revives Purcell’s Dido and Aeneas at Tanglewood; Cosí fan tutte on Beacon Hill
The American premiere of Dido took place here in Boston, at the Majestic Theatre in June 1989.
By: LLOYD SCHWARTZ
Tried and true: Buffalo Tom find their comfort zone
In a year when every outfit from Smashing Pumpkins to the Police is reuniting, it can be hard to convince people that you never broke up.
By: BRETT MILANO
Citadel of sound: Nashville’s RCA Studio B celebrates its 50th
Before the digital universe expanded, serious home recording was just a dream.
By: TED DROZDOWSKI
Little band with a big sound: Gypsy Schaeffer’s formal ingenuity, plus Berklee’s Jazz Revelation Records
Throughout my notes on the Boston quartet Gypsy Schaeffer, I’ve written “great tune.”
By: JON GARELICK
New kids on the rock: The Click Five struggle with the new world disorder
Back on June 20, three tour buses were lined up like impregnable traveling fortresses behind the House of Blues in Cleveland.
By: FRANKLIN SOULTS
June tunes: From Beastie Boys to the White Stripes and more
Mark Twain once observed that it’s “better to be a young June-bug than an old bird of paradise.”
By: MATT ASHARE
Noise ploys: Rediscovering the joys of Japan’s Boredoms
Vision Creation Newsun was a fitting finale for the Japanese noise-rock band Boredoms.
By: RICHARD BECK
Tangled up in Bob: Bryan Ferry delivers a full album of Dylan tunes
“Dylanesque” isn’t what comes to mind when you think of the suave, new-romantic, once-and-future frontman of Roxy Music, Bryan Ferry.
By: JIM SULLIVAN
Potty mouth: Louis C.K. has a filthy good time
Shamelessness has finally paid off for Louis C.K.
By: TED DROZDOWSKI
The men machine: Motor get to the brutal heart of industrial minimalism
Electronic music always seems to get a bad rap for being inhuman.
By: DAVID DAY
Blues plus: Ryan Montbleau finds a home in the jam scene
Boston’s Ryan Montbleau doesn’t mind if you call his quintet a jam outfit.
Ryan Montbleau Band, "Inspired By No One" (mp3)
By: TED DROZDOWSKI
Send in the clowns: Chorus pro Musica’s verismo duo; the Boston Early Music Festival; and Carousel at the Pops
Boston newcomers proved that even without scenery or traditional costumes, these operas can pack a wallop.
By: LLOYD SCHWARTZ
Children at play: Who Shot Hollywood get off to an early start
If you happened into the Middle East for the Fleshtones show two weekends ago, you might have wondered what those kids were doing there.
By: BRETT MILANO
Holding out Hope: Mandy Moore does it her way
A few weeks ago, I was sitting in a bar having a quiet late-afternoon cocktail when I became aware of an insistent, irritating noise.
By: CHARLES TAYLOR
Good vibrations: Dinosaur Jr. play nice and loud together
J Mascis hates Lou Barlow. And the feeling is mutual.
Dinosaur Jr, "Almost Read" (mp3)
By: JIM SULLIVAN
The tenorist: Jerry Bergonzi sets the standard — as player and teacher
The scene is typical for a Boston jazz date.
By: JON GARELICK
Folk heroics: Or, how M. Ward became such a big deal
“Why is he such a big deal right now?” a friend asked with some exasperation earlier this month when I mentioned that I had a phone date with M. Ward.
M. Ward, "To Go Home" (mp3)
By: MIKAEL WOOD
Against interpretation: Hallelujah the Hills get litr’y with it
To file Hallelujah the Hills under “literary rock” would be, according to frontman Ryan Walsh, an insult to literature and an insult to rock.
Hallelujah the Hills, "Wave Backwards to Massachusetts" (mp3)
By: NINA MACLAUGHLIN
Not better off dead: Art Brut find their way in the post-punk world
Three years ago, London’s Art Brut debuted with a punk-rock song called “Formed a Band.”
By: NICK SYLVESTER
Before and after the Riot: Sly Stone’s lost utopia
When Sly Stone sang “Listen to the voices,” who could have known that, in just three years, voices of an entirely different sort would take him over?
By: CHARLES TAYLOR
Mr. Lonely: Marilyn Manson goes deep
Marilyn Manson’s Eat Me, Drink Me is the first record in that’s made me want to hang out with the guy rather than gawk at him from afar.
By: MIKAEL WOOD
Heaven and hell: Paul toodles off to Starbucks while Ozzy goes to war
Feel, feel for Sir Paul McCartney.
By: JAMES PARKER
Something for everybody: This summer, New England’s music calendar offers everything from Neil Sedaka to Lez Zeppelin
As that great philosopher Brian Wilson once observed, summer means fun.
By: BRETT MILANO
Best Music Poll 2007: Results from the Boston Phoenix/WFNX readers' poll
By: PHOENIX STAFF
True believer: Dispatch reunite for a good cause
Dispatch aren’t even supposed to be a band anymore.
By: MATT ASHARE
She really likes them!: Juliana Hatfield records with Frank Smith
Juliana Hatfield just compared herself with Bob Dylan.
Juliana Hatfield and Frank Smith, "Beer and a Shot" (mp3)
By: WILL SPITZ
A pleasant Reminder: Feist comes into her own
Canadian singer Feist’s third solo album is a soundtrack for watching your lover walk out the door.
By: CHRISTOPHER GRAY
Swede stuff: Dungen deliver another potent dose of psych-rock
To most rock fans, psychedelic means Jimi Hendrix and Arthur’s Lee’s Love, or Iron Butterfly’s “In-A-Gadda-Da-Vida” and Frigid Pink’s “House of the Rising Sun.”
By: KEN MICALLEF
Sonic couth: Deerhunter and Seefeel bring the right noise
Music is more or less a mess of tensions.
Deerhunter, "Wash Off" (mp3)
By: NICK SYLVESTER
The wagonmaster: Country legend Porter Wagoner delivers a gem
“Eleven Cent Cotton” is a great country song, a wry, catchy, energetic, swinging two-step that creates a tableau of the bygone rural South.
By: TED DROZDOWSKI
Working girl: Amanda Palmer reflects on the Dresden Dolls’ breakthrough year
It’s no surprise that the big local winners in our Best Music Poll tend also to be the hardest working bands and artists.
By: MATT ASHARE
All dolled up: Yes, Virginia, but there’s more to the local scene than Amanda and Brian
We have seen the face of Boston rock and roll, and it’s got painted-on eyebrows.
By: BRETT MILANO
Mixed and matched: Four premium mixes to get your summer started right
For fans of the 4/4 beat, summer is defined by DJ mixes that go from the car to the beach to the patio with ease.
By: DAVID DAY
Dead reckoning: The dark side of Warren Zevon in biography
Crystal Zevon’s I’ll Sleep When I’m Dead is the kind of biography you’d expect from Warren Zevon, who never had much use for cheap sentiment.
By: BRETT MILANO
Bad mothers: Angeline kick out the folk-rock jams
It’s often been said that inside every punk-rocker is a hippie scratching to get out.
By: BRETT MILANO
Turning up: The thing about Keren Ann
Seven times during our 20-minute telephone conversation, Keren Ann Zeidel tells me some variation of “There are no rules.”
By: JON GARELICK
Nowhere man: The mysterious Jandek apparently exists — and he’s coming to Boston
The buzz about Jandek is . . . is . . . Well, let’s try again.
By: JAMES PARKER
Sharpshooting: Mary Timony takes aim at the Nuge
In “Sharpshooter,” former Helium frontwoman Mary Timony goes after the rock world’s most famous bow-and-arrow hunter, the Nuge.
Mary Timony Band, "Sharpshooter" (mp3)
By: JIM SULLIVAN
What’s in a phrase?: The Cantata Singers’ season finale; Leon Fleisher and the Emerson String Quartet
There are lots of references to heaven in Bach’s Passions and cantatas, but one of his most heavenly pieces has no words at all.
By: LLOYD SCHWARTZ
U.N.I.T.Y.: Rap legend Edo G. heads a huge bill; Faint DJs
This Wednesday, May 30, a hip-hop bill comes to the Paradise Lounge that boggles the mind.
By: DAVID DAY
Singin’ the trues: Martina McBride shows what she’s got
I’d be lying if I said I’ve liked every song I’ve ever heard Martina McBride do.
By: CHARLES TAYLOR
Extremely . . .: Björk rewards — and punishes
Björk has made a career out of exploring extremes.
By: MIKAEL WOOD
Lil Wayne’s world: A rapper thrives in the world of the mixtape
On his mixtapes, Wayne is the most playful, experimental artist in mainstream hip-hop
By: RICHARD BECK
Basstown tales: Superstar DJ/producer Armand Van Helden’s Boston story
As Boston goes, the origin stories of superstar DJs are few and far between.
By: DAVID DAY
Subtle stars: Separating Maxïmo Park from the pack
In the gaps between words are the things that really intrigue me,” sings Maxïmo Park frontman Paul Smith on “Girls Who Play Guitars.”
By: NICK SYLVESTER
Here, there, and everywhere: Uncle Earl’s Kristin Andreassen multi-tasks
For most musicians, a gig in Uncle Earl would offer more than enough in the way of regular work.
Uncle Earl, "Stacker Lee" (mp3)
By: JEFF BREEZE
On the Racks: May 15, 2007: New discs by Dunger, Dolores, Rufus, Wilco, and Linkin Park
Don’t feel bad if you find yourself thinking of Tio Bitar as the sophomore album by the Swedish neo-psychedelic band Dungen.
By: MATT ASHARE
The wonder years: How Casey Desmond, daughter of Bentmen, became a pop princess
Lots of kids grow up on Yanni and Barney; Casey Desmond grew up on the Residents and the Bentmen.
Casey Desmond, "To Myself" (mp3)
By: BRETT MILANO
The other Man in Black: Dale Watson’s true grit
Dale Watson makes country music the old-fashioned way, cradling his strong baritone voice with weeping steel guitar and fiddle as he spins yarns of love and death.
By: TED DROZDOWSKI
North American idol: Two sides of Neil Young
Neil Young always knows what he’s doing — especially when he doesn’t.
By: JAMES PARKER
Nights on the town: Brandão, Coltrane, and Redman move the beat around
By now, the bossa nova of Antonio Carlos Jobim has been completely ingrained in the language of jazz and pop.
By: JON GARELICK
Serious simians: A day spent with Arctic Monkeys reveals the band to be, well, regular guys
It’s a rock star’s prerogative to get up every morning in the afternoon.
By: MATT ASHARE
Decent catch: Opera Boston’s Pêcheurs de perles, plus Evgeny Kissin, and Bernard Haitink with the BSO
The opening moments of Opera Boston’s new production of Les pêcheurs de perles set me up to expect an extraordinary evening.
By: LLOYD SCHWARTZ
Evolution rock: Jeff Tweedy takes Wilco to the next level
For the past 11 years, Wilco leader Jeff Tweedy has been trying to carve his band’s image into the Mount Rushmore of Great American Rock.
By: TED DROZDOWSKI
New Orleans notes: A city holds fast to its soul
This year as last, the refrain at the New Orleans Jazz & Heritage Festival was: “We’re back.”
By: JON GARELICK
True believers: The Kooks keep it classic
Luke Pritchard may look a bit like a shaggy dog with his lips curled in a mock Jagger pout. But it’s no pose.
By: KEN MICALLEF
F****n’ great: Dennis Brennan by his own cool self
Dennis Brennan isn’t much into blowing his own horn, and any questions about his local-legend status are likely to be met with an embarrassed shrug.
By: BRETT MILANO
War and peace: Cowboy Junkies expand their reach
More often than not, when an artist gets airplay covering a decades-old song, it’s out of desperation — the sign of a career on its way down.
By: TED DROZDOWSKI
All fired up: Tiger Saw catch a little dance fever
The first two songs on Tiger Saw’s new Tigers on Fire have the phrase “on the stereo” in their lyrics, and the closer, “The Big Bear Song,” says, “Put the record on.”
Tiger Saw, "Tigers on Fire" (mp3)
By: JEFF BREEZE
Fathers and son: Joshua Redman goes East
It must be daunting to have Joshua Redman’s talent.
By: JON GARELICK
The best damn thing?: Whatever, Avril goes straight to the top
Avril Lavigne doesn’t always act like a spoiled bitch.
By: SHARON STEEL
Cool papa, hot mama: John Phillips’s solo album, Karen Dalton’s In My Own Time
Between Phil Spector’s becoming rock and roll’s first teen millionaire and the rock tycoons who emerged some decades later lies the rise of the hippie aristocrat.
By: CHARLES TAYLOR
Planet rock: The prog stylings of Porcupine Tree
Vinyl collectors will be greeted with a familiar sight when they open Porcupine Tree’s Fear of a Blank Planet.
By: BRETT MILANO
Oh Susanna: Ailyn Pérez shines in BLO’s Figaro; so does Gabriela Montero with the Boston Philharmonic
Music director Stephen Lord conducts a Figaro that clocks in close to three and a half hours but so engaging, few people will be checking their watches.
By: LLOYD SCHWARTZ
Tone poet: Amon Tobin stays on the edge of technology
As one of the darlings of electronic music, Amon Tobin has seduced millions with layered blends of techno, jazz, and samba, all buoyed by kinetic beats.
By: DAVID DAY
Nine-inch-nailed: Trent Reznor fights to reinvent himself
The sticker that adorns the cover of the new Nine Inch Nails album, Year Zero, promises “16 noisy new songs.” Really?
By: MATT ASHARE
Divine interventions: The cosmic rock of Young Gods
The trick with Switzerland’s Young Gods has always been to see past the mechanized or “industrial” elements of their sound.
By: JAMES PARKER
Devilish details: The Sterns polish their rhymes
From the Kinks’ “Lola” to Henry Gross’s “Shannon” (about a dog, remember?), pop music has a noble tradition of songs with secret meanings.
The Sterns, "Supreme Girl" (mp3)
By: BRETT MILANO
All the Wright moves: The deadpan master is still happy not to laugh
“I was born. When I was 23 I started telling jokes. Then I started going on television and doing films. That’s still what I am doing. The end.”
By: TED DROZDOWSKI
Contact!: Emmanuel Music’s Alcina, André Previn at the BSO, and the Australian Chamber Orchestra
Music lovers had a tough decision to make last Saturday between two great operas that are rarely performed here.
By: LLOYD SCHWARTZ
Under the influence: In defense of Dr. Dog
Like Ann Coulter or pistachio ice cream, the music of Philadelphia five-piece Dr. Dog seems to be one of those love-it-or-hate-it things.
By: WILL SPITZ
But not simpler: James Levine and Christoph von Dohnányi at the BSO, Tod Machover at the ICA, Karita Mattila
James Levine’s last program of the BSO season was an odd assortment.
By: LLOYD SCHWARTZ
Crash course: The explosive fusions of Ozomatli
Released in 2005, Ozomatli’s CD/DVD Live at the Fillmore is a crash course in how to put on a live show.
By: ADAM GOLD
Revolution rock: Tom Morello rages quietly against the machine
It’s an incongruous sight at first: Tom Morello strumming an acoustic guitar emblazoned with the words “Whatever It Takes.”
By: JEFF TAMARKIN
The bright stuff: The indie-pop smarts of Winterpills
After putting in calls to a manager, a publicist, and a record label to set up an interview with Winterpills, I’m finally on the phone with their vocalist and keyboardist.
Winterpills, "Hide Me" (mp3)
By: IAN SANDS
Self help: JazzBoston boosts the scene with Jazz Week
In jazz, it’s always the iron age.
By: JON GARELICK
Straight talk: Patty Griffin modestly hits a new peak
You can call Patty Griffin a singer-songwriter if you must, but don’t expect her to tell you exactly what that means.
By: TAMARA WIEDER
A life in music: Celebrating Ken Lyon's back pages
Why is that we install a stop light after an accident?
By: BOB GULLA
Floating on: Modest Mouse survive their own shipwreck
Like so many indie-rockers raised in the shadow of Northwestern clouds Isaac Brock knows a thing or two about gray skies.
By: FRANKLIN SOULTS
Hip-hoptronic: Oxy Cottontail comes to Boston
Despite her candied look and popstastic nameplate, Oxy Cottontail remains an integral part of the club-rap scene.
Oxy Cottontail, "Roxxy's Cotton Tales" mixtape (mpeg)
By: DAVID DAY
Past perfect: LCD Soundsytem mine the best of the ’80s
Just five years ago, James Murphy jump-started the dance-punk movement with his DFA label.
By: MATTHEW GASTEIER
Discovering Dilla: A posthumous look at a hip-hop great
As with so many other figures in pop music, death has been good to hip-hop producer and MC J Dilla.
By: RICHARD BECK
From her to eternity: The real Nico emerges on The Frozen Borderline
As a consort of the elite, Nico ruled them all.
By: JAMES PARKER
Rising tides: Caspian’s oceans of vocal-less sound
The 14-year-old mosh-pitters at the front of the room ricochet off one another, goofing, self-conscious, as Caspian approach the climax of their first crescendo.
Caspian, "ASA" (mp3)
By: NINA MACLAUGHLIN
Flake-overs: Introducing the new Macy Gray and Joss Stone
The craziest thing about the new Macy Gray record, Big, is Gray’s choice of coiffure.
By: MIKAEL WOOD
Unmasked: Boston Lyric Opera’s Un ballo in maschera; Scott Wheeler’s The Construction of Boston
It would be fun to report that in the same weekend Bostonians got to hear two operas from two different centuries that take place on their home turf.
By: LLOYD SCHWARTZ
House girls: BonTon Productions keeps Boston’s dance clubs moving
The last time I saw Maria DiIulis, the owner of BonTon Productions, was at Rumor, the popular Theater District dance club on Warrenton Street.
By: MICHAEL FREEDBERG
Production lines: Timbaland’s shockingly bad Shock Value
The guy builds songs.
By: NICK SYLVESTER
New rave: Klaxons bring their new brand of Britpop to Boston
The newest act to come buzzing from the UK is a trio of educated lads whose intelligently obtuse pop is warming hearts, minds, and dance floors.
By: DAVID DAY
Complementary: Metheny and Mehldau get it together
Killer chops are part of what jazz is all about — what critic Whitney Balliett called “look-no-hands virtuosity.”
By: JON GARELICK
Stormy weather: BSO cancellations, plus the Camerata, Jonathan Biss, Emmanuel Music, and more
The BSO has been having terrible luck hanging on to its star soloists.
By: LLOYD SCHWARTZ
Nirvana revisited: A new Nirvana biography and excerpts from the Phoenix archives shed new light
True’s book coincides with a bit of Nirvana’s Phoenix lore, and this week we’re publishing an excerpt from the book alongside several related articles from our archives.
By: CARLY CARIOLI
About a girl: When Mary Lou Lord met Kurt Cobain. An exclusive excerpt from Everett True’s new Nirvana: The Biography
“Mary Lou Lord has been almost written out of the Kurt Cobain story,” writes True. “Yet I have a strong memory from around this time of meeting a besotted Kurt going on about how in love with her he was, and how he was going to move to Boston to be with her.”
By: EVERETT TRUE
Boston music news: March 30, 2007: Notes on the Everyday Visuals and Brett Rosenberg
Drummer Billy Beard saw a young band called the Everyday Visuals at the Lizard Lounge last year and was knocked out.
By: JIM SULLIVAN
Eclectic collective: HUMANWINE emerge as Boston’s next big concept in rock
The house that HUMANWINE founders Holly Brewer and M@ (i.e., Matt) McNiss share in Jamaica Plain looks like a gallery that’s exploded.
HUMANWINE, "Rivolta Silenziosa" (mp3)
By: BRETT MILANO
Éminence grise: Joe Boyd remembers; remembering Joe Boyd
When I first met Joe Boyd, I knew him only as a legend, the force behind the psychedelic and folk-rock movements of the 1960s.
By: DANA KLETTER
Technophilia: Brazil’s Gui Boratto embraces IDM
The year being 2007, had I started off telling you this new Gui Boratto album is “intelligent dance music,” you’d have stopped reading right then and there.
By: NICK SYLVESTER
Elixir of youth: Fountains of Wayne push their expiration date
After 11 seesaw years in the pop music marketplace, Fountains of Wayne return on a fourth studio album as an unparalleled American pop-rock phenomenon.
By: FRANKLIN SOULTS
No reason to complain: Escaping corporate rock — and the panel discussions — at SxSW
There are at least two ways to approach the South by Southwest festival in Austin.
By: BRETT MILANO
Boston in Austin: Black Helicopter’s trip to South by Southwest
There were 26 bands from Massachusetts in Austin last week to play the South by Southwest music conference
Black Helicopter, "Buick Electra" (mp3)
By: JEFF BREEZE
Tales from the ’hood: Wynton takes some pot shots at pop culture
From the beat of the first hand-slapped tambourine, you know who you’re listening to.
By: JON GARELICK
The heart of soul: At 50, Stax Records keeps on beating
“At Stax Records, I learned the formula for success,” says William Bell.
By: TED DROZDOWSKI
Homecoming: Local group slams for NOLA
A home is more than a structure, more than a safe place to lay your head. It’s community, continuity, and belonging.
By: CLEA SIMON
Dancing queen: A double dose of Kylie Minogue live
Every recording Kylie Minogue has made since her fabulous 2000 album Light Years has made me wonder why anybody still pays attention to Madonna.
By: CHARLES TAYLOR
Big like the motherland: The National Philharmonic of Russia in Boston
These days, new orchestras and ballet companies pop up in Russia like mushrooms.
By: JEFFREY GANTZ
Youth or consequences: Girl Authority wrestle with success
The Click Five are sequestered somewhere inside Q Division studio, and Girl Authority are seated in a circle in the lounge area, scheming a way to meet the lead singer.
Girl Authority, "This Is My Day" (mp3)
By: SHARON STEEL
Heroics: Ricardo Chailly and the Leipzig Gewandhaus Orchestra, Teatro Lirico, and the BSO’s latest guests
It’s been eight years since Ricardo Chailly made his last Boston appearance.
By: LLOYD SCHWARTZ
A Kind of homecoming: Dave Gibbs returns to Boston with Low Stars
The scene: four chairs, four acoustic guitars, four semi-famous, sensitive singer-songwriters on a small stage in a room with a few dozen chairs.
By: JIM SULLIVAN
House call: Matt Dear comes spinning to town
Matthew Dear is the golden child of US techno.
By: DAVID DAY
Homegrown drone: Isis thrive out on the West Coast
Aaron Turner, frontman of the formerly Boston-based art-metal act Isis, is not easily swayed by the idea that nurture affects a developing entity more than nature.
Isis, "Dulcinea" (mp3)
By: MIKAEL WOOD
Jewish blues: Brave Old World bring Song of the Lodz Ghetto to Boston
In Boston, it’s the season of Lódz.
By: JON GARELICK
Just like a woman: Spring brings new albums from Nine Inch Nails, Arctic Monkeys, Timbaland, and more
The new, improved, clean, sober, and buff Trent Reznor is no longer wrestling with downward spirals.
By: MATT ASHARE
Brothers and other mothers: Jazz in concerts and clubs
The single hottest ticket among jazz fans this season will be for the Pat Metheny/Brad Mehldau Quartet.
By: JON GARELICK
American classic: Charlie Louvin returns
How old-school is Country Music Hall of Famer Charlie Louvin?
By: TED DROZDOWSKI
Gentleman callers: Piebald aren’t just from Boston anymore
If the guys in Piebald had it their way, they’d probably rather be discussing social and/or political issues than Accidental Gentlemen.
Piebald, "Oh the Congestion" (mp3)
By: MATT ASHARE
Prometheus’s fire: Iggy and the Stooges bring it again
One year younger than Dolly Parton, Iggy is an indestructible trouper whose communion with his audience is vulgar, essential, perennial.
By: JAMES PARKER
The down side: Finding the heart of the Arcade Fire
This is the same kind of self-alienation that dominated Funeral, except now there’s no tunnel, no back seat, no time for wishful thinking.
Arcade Fire, "Black Mirror" (mp3)
By: NICK SYLVESTER
The rumor mill: A new home for house music
“Church on Sunday” is one of the newer house-music events in the city.
By: MICHAEL FREEDBERG
Rise and fall: Opera Boston does Mahagonny; the BSO and the Boston Philharmonic do Sibelius
With its production of the Kurt Weill/Bertolt Brecht Aufstieg und Fall der Stadt Mahagonny, Opera Boston consolidates its position as this city’s most exciting opera company.
By: LLOYD SCHWARTZ
Damned good: Levine’s Berlioz and Wuorinen, Garrick Ohlsson’s Beethoven, the Borromeo’s Shostakovich, the Alloy’s Eagle
James Levine returned from his winter break with one of the most thrilling BSO concerts of his tenure: Berlioz’s “dramatic legend,” La damnation de Faust.
By: LLOYD SCHWARTZ
Anticipation: James Levine and Deborah Voigt, Collage New Music, Teatro Lirico’s Turandot
James Levine was back in front of the BSO after his Christmas break, and as good as at least one of the guest conductors.
By: LLOYD SCHWARTZ
Indie bands are better than groundhogs: Knocks from the Underground: The Best of the Boston Underground at the Middle East
Another indie rock show? It’s 10 degrees outside. I don’t know these bands. I’m a cranky Bostonian. Fuck indie rock shows. But this one actually might be worth it. Here are the ten reasons why you should come.
By: BECKY FIRESHEETS
Justify my love: He already brought sexy back. Now can Justin Timberlake shed his boy-band image and become a music legend?
Oh, Justin. Even you know that your undeniable charisma and brilliantly executed choreography somehow balance out your post-boy-band status and lack of indie cred.
Justin Timberlake on Saturday Night Live, "Dick in a Box" (YouTube)
By: SHARON STEEL
The new tastemakers: Does Pandora know you better than you do?
It’s a cliché by now, but the Internet allows you to be whomever you want to be.
By: CHRISTOPHER GRAY
Cornucopia: The BSO, the Cantata Singers, the Handel and Haydn Society, and the Celebrity Series
The year 2007 didn’t begin on the highest note.
By: LLOYD SCHWARTZ
In extremis: Handel's Ariodante and Lang Lang
In Handel’s Ariodante we move from the sunlit first act into a world of moonlight, darkness, deception, and emotional blindness.
By: LLOYD SCHWARTZ
How Jewish is it?: Rockin’ out with Matisyahu, the LeeVees, and other mensches
In addition to the usual fare of Messiah and Nutcracker performances and bands dressed up in Santa suits this past holiday season, Boston got an unusually large dose of Jewish culture — far more than the electric menorah in Kenmore Square or the klezmer rendition of “Chanukah Oh Chanukah” on the Holiday Pops program.
By: ADAM GOLD
Club man: Sanchez has geared his new disc to radio, but he’s still a DJ.
Already established as one of the world’s most respected house DJs, Roger Sanchez is now shaping his work for radio.
By: MICHAEL FREEDBERG
Antenna Alliance offers free studio time: Banding together
You’re in a band. You care about issues like fair use and free culture. You are poor, with no money to get your music out. Have we got news for you.
By: MIKE MILIARD
The power of two: The Benevento/Russo Duo’s will to rock
Marco Benevento started out like most Berklee pianists, shedding Bill Evans and Keith Jarrett solos and scrounging for side gigs.
By: ADAM GOLD
Going on sale: November 24, 2006: Cassavettes, Men Women and Children, Black Helicopter, and more
Plus Christians and Lions, moe., Kings of Nuthin', and Josh Groban,
By: GOING ON SALE
Going on sale: November 16, 2006: Dir En Grey, Snow Patrol, Godsmack
Acid Mothers Temple, Men, Women and Children, and more.
By: GOING ON SALE
Going on sale: November 10, 2006: Breaking news from the concert-ticket trade
Damien Rice, Boys Like Girls, Justin Timberlake, and more.
By: GOING ON SALE
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